Product news and information for the sign, screen and graphic arts trade
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In modern design and manufacturing, precision is critical. Whether it is creating and producing custom labels or packaging, the demand for precision in cutting and shaping materials has never been higher. This demand has led to the rise of digital die cutting, a technology that has transformed the landscape of design and production.
Jim Hingst explains how extreme heat can cause the PVC resin of a vinyl film to break down. Read more »
Artists and sign makers have used Damar Varnish for various applications, including encaustic wax painting, varnishing oil paintings and glass gilding. In this story, Jim Hingst provides a Damar Varnish recipe and explains how to use it. Read more »
Dating back to the days of the pharaohs, 5000 years ago, men have hammered strips of gold into thin sheets of gold leaf in a manufacturing process known as gold beating. While the tools have changed through the centuries, the basic process remains the same. In the days of the ancient Egyptians, gold beaters used stones. […] Read more »
When someone mentions fresco painting, what always comes to my mind is Michelangelo painting in the Sistine Chapel on wet plaster. Of course, that’s not the only type of fresco painting, but it is arguably the purest and the most durable form. Read more »
Artists have use gouache since the Middle Ages. This story explains the difference between gouache and watercolor painting. Painting techniques are also described. Read more »
Two of the most important factors affecting how paint dries are temperature and humidity. Avoiding adverse environmental extremes can help you avoid painting problems. Read more »
If you are repainting a wood surface, your first chore is to prep the surface. New paint will not stick to dirt or peeling paint. On large surfaces the quickest way to clean the old wood painted surface is to pressure wash it. You will need to use a washer that can generate at least 2500 […] Read more »
Many painters paint with what is called a limited palette, which consists of a small selection of primary colors. Vincent Van Gogh proclaimed that all he needed was red, blue, yellow, white and black. This really is a limited palette. Some feel that you don’t even need black. Using these basic colors, Van Gogh believed that he could […] Read more »
If you follow the practices of the old masters, you will prepare the canvas with a rabbit skin glue size and a traditional chalk gesso. The size, which is a barrier coating, and the gesso layers protect the canvas. Without these layers, the oil in the paint will gradually rot the fibers of the canvas. Read more »
